Painting - aboriginal

12 Pins

a black background with white lines on the bottom and an image of a tree in the middle

DropCatch.com

Country - Australian Aboriginal Art

an image of a woman in red and black with circles around her, on a blue background

Colleen Wallace Nungari - Aboriginal Art Galleries

Colleen Wallace Nungari aboriginal artist 1973- Santa Teresa Northern Territory. I love her works. They are so spiritual; like looking up into the night sky.

an artistic painting with many colors and shapes

Aboriginal Art Galleries | Sydney

Yaruwala Kuntarra

an abstract art work with lines and dots in the shape of a circle on a black background

Dorothy Napangardi "Karntakurlangu" 2007 Acrylic On Linen. aiag.com.au

an artistic painting with animals and flowers on it's surface, in the middle of a

Justin Ronberg Japarula

Here is another fine piece of Aboriginal Art by Justin Ronberg Japarula / Kangaroo, Emu, Goanna and Snake is the title of the work. Click the image to view more details and lots more incredible artworks from these amazingly talented artists. Thank you and have a great day

a painting on the side of a wall with an image of two birds in it

IN THE ABORIGINAL STYLE

Aboriginal Dot Paintings

an abstract painting with circles and lines on the surface, in oranges and browns

Sacred Landscapes: Australian Aboriginal Paintings at the Hood Museum

Studio and Garden: Sacred Landscapes: Australian Aboriginal Paintings at the Hood Museum

an abstract painting with blue and brown circles in the sky, on top of water

Redirect Notice

australian aboriginal painting - what were they "seeing" or experiencing that we have forgotten today?

an abstract painting with circles and flowers on it's surface, as well as the colors

project E(arT)H: australian aboriginal art: women, painting and dreams

an intricately designed piece of wood with brown and black lines on it's surface

Danny Gibson Tjapaltjarri / Mukula 2009 Adapting the geometric designs associated with the journeying of the Tingari Men, this work deliberately evokes the ceremonies that these ancestral figures performed while traveling across the sand dunes of the vast Western Desert. In the lower right-hand side of the painting, the optical designs seem to collide and fold into one another, drawing the viewer into a liminal space between the worlds of the tangible and the spiritual.