Henri Cartier Bresson

41/365 Do you think a master of photography would be using the rule of thirds? Give me a break! One look at his images and you will see a difference between a rule of thirds image and a designed image. Henri Cartier-Bresson was a master at composition and he incorporated design and geometry into all […] To access this post, you must be log in in as a Master Pass member, or please purchase The Master Pass Membership, The Master Pass Package or The Ultimate Package.

by Henri Cartier-Bresson - The arrival of a boat carrying refugees from Europe reunites a mother and son, 1946

What's up photography fans? It's Martin from All About Street Photography, and today I want to talk about Henri Cartier-Bresson's iconic photo of a

For a man who worked professionally for barely more than ten years, Sergio Larrain, who died in 2012, had a disproportionately large impact on photography. The author of four books, he is widely considered Chile’s finest lensman, though he became something of a recluse later in life.

Henri Cartier-Bresson

Tarascon, France, 1959 - Henri Cartier-Bresson (Black and White Photography) Signed and stamped with photographers blindstamp Silver gelatin print 16 x 20 inches Henri Cartier-Bresson (1908-2004), arguably the most significant photographer of the twentieth-century, was one of the co-founders of Magnum Photos in 1947 and champion of the “decisive moment”. He brought a new aesthetic and practice to photography, initiated modern photojournalism, and influenced countless followers.

“Vivian Maier”

In November 1948, the great photographer went to shoot ‘the last days of Beijing’. He returned to China in 1958 to capture the results of the Maoist revolution. Images from both visits are brought together for the first time in an exhibition in Paris

It includes what is likely his most famous photo.