Rembrandt etchings

#14 Rembrandt van Rijn, A Beggar, Sitting on a Mound, 1630. On loan from a private collection. This print belongs among Rembrandt’s early etchings of beggars, following Lucas van Leyden and the French etcher Jacques Callot. For the face with its angry expression, Rembrandt studied his own features. Although many Netherlandish artists, and especially printmakers, had started to specialize more narrowly, Rembrandt covered a wide range of subject matter in his art.

Rembrandt etching

Rembrandt Harmenszoon van Rijn, The Artist's Mother: Head Only, Full Face, 1628, Etching on paper., RvR 469

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(Leiden 1606–1669 Amsterdam) David in prayer, 1652, etching and drypoint, signed and dated Rembrandt f. 1652 in the plate, 14,3 x 9,3 cm, with narrow margins along platemarks, Bartsch 41, White-Boon 41, New Hollstein 268 III (of III), with the scratches in David’s coat, mounted, unframed, (Sch)

Rembrandt Harmenszoon van Rijn, The Great Jewish Bride, 1635, Etching, engraving and drypoint, on paper., RvR 452

Rembrandt's Etching Technique (ebook)

View Portrait of a bearded old man looking to one side (Circa 1640) By van Rijn Rembrandt; Etching on laid paper; 7.7 x 6.7 cm; Edition. Access more artwork lots and estimated & realized auction prices on MutualArt.

1630-34 Study Sheet (fragment), Self-Portrait, Rembrandt van Rijn. Etching on paper, 5. x 5.5 cm.

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Rembrandt Harmenszoon van Rijn, Man in an Arbour, 1642, Etching and drypoint on paper., RvR 339

Woman Bathing Her Feet at a Brook, Rembrandt van Rijn (Northern Netherlands, 1606-1669), Holland, 1658, Prints, Etching and drypoint, New Hollstein 309, state i/ii (before the scratch?).

(Leiden 1606–1669 Amsterdam) Peasant in high cap, standing and leaning on a stick, 1639, etching on laid paper, signed and dated Rembrandt f 1639 in the plate, 8,3 x 4,5 cm, with narrow margins along platemarks, Bartsch 133, White-Boon 133, New Hollstein 178 II (of II), mounted, unframed, (Sch)